In January of this year I had the privilege to work with three astounding Art Historians, Nicholas Herman, Anna Koopstra, and Nicola Jennings, on a publication entitled Late Medieval Panel Paintings II: Materials, Methods, Meanings. The book is edited by Professor Susie Nash and published by Paul Holberton, to accompany an exhibition mounted by Sam Fogg and held at the gallery of Richard L. Feigen, New York, from 22nd January to 22nd February 2016.
The book, the second volume in a series on the subject, presents a series of in-depth studies of late medieval panel paintings, as well as one tapestry, made between 1400 and 1530 in Spain, Germany, Austria, France, and the Southern Netherlands. Many of the objects examined are new to scholarly attention, offering steps forward in the discussion and analysis of medieval works of art, and significant insights into the artists and patrons of the period.
Late Medieval Panel Paintings II: Materials, Methods, Meanings
ed. Susie Nash, 2016
300 x 245 mm; paperback
The publication is available through the Paul Holberton website, as well as at the gallery and website of Sam Fogg, and on amazon: